Festival of Making

Discover a curated selection highlighting our artist residency programme, Art in Manufacturing.

Two children walk out of a large, shell-like, cardboard structure inside a spacious hall with an ornate blue ceiling and arched windows. Several similar colourful pod installations are scattered around the room.

Lazerian + Cardboard Box Company, 2017. Photo by GS Visuals.

A spacious, high-ceilinged workshop with large windows, filled with stacked boxes, materials, and wooden pallets. The walls and floor are dusty, suggesting ongoing building or refurbishment work.

Darwen Terracotta, 2024. Photo by Danny Allison.

A control panel with a red angry face and a green happy face, each with a corresponding light. The green light is lit. Two warning beacons, one red and one orange, are attached below the panel labelled “T.P.M.”.

The Senator Group, 2019. Photo by Danny Allison.

Sam Williams Studio + Cardboard Box Company, 2024. Photo by Robin Zahler.

Several thick, smooth, beige tubes of clay are stacked horizontally, with some tubes slightly bent or compressed where they meet, showing textured and rougher ends.

Darwen Terracotta, 2022. Photo by Danny Allison.

Hands hold stacks of paper beside a large, spinning printing press labeled with the number 49.

Heritage Envelopes, 2019. Photo by Danny Allison.

A dimly lit space displays geometric sculptures and screens showing black-and-white abstract digital images, arranged on curved and rectangular plinths on a wooden floor. Soft spotlights illuminate parts of the installation, and in the background, a large screen shows rippling water.

Liz Wilson + CNC Robotics, 2022. Photo by Jules Lister.

Craftsperson smoothing and finishing a large decorative column base in a workshop, surrounded by similar moulded pieces on wooden pallets.

Darwen Terracotta, 2017. Photo by Richard Tymon.

A fabric panel lists textile job titles like warper, weaver, and cutter in yellow text. The panel hangs in a modern, airy room with wooden floors, tall windows, and minimalistic white display plinths.

Radical Pairings, 2025. Photo by Robin Zahler.

A person wearing protective gear and a face visor is welding metal, with bright sparks and blue light illuminating their work in an industrial setting.

Nicola Ellis + Ritherdon, 2018. Photo by Danny Allison.

Stacks of large plastic buckets covered in dried, colourful paint drips and smudges, each labelled with white paper. The buckets are arranged in rows, creating a vibrant, messy pattern.

Cardboard Box Company, 2024. Photo by Danny Allison.

A diverse group of people sit attentively on the floor in a decorated room, listening to two speakers. One woman in an orange dress gestures while speaking. Everyone wears blue shoe covers. The room is filled with dark, hanging decorations.

Ibukun Baldwin + Cookson & Clegg, 2023. Photo Robin Zahler.

A group of people stands in front of a vintage-style cardboard cinema entrance in a stone archway. Lit letters spell

Hannah Fox + Cardboard Box Company, 2018. Photo by Robin Zahler.

Two people in white coats and black trousers leap into the air with arms raised, performing dynamic jumps outside on a sunny day, with a large building featuring a spire in the background.

Ruth Jones + Cherrytree Bakery, 2017. Photo by Richard Tymon.

Colourful, painted column sculptures stand on grass in front of a large old stone building with arched windows and a circular green textured feature on its facade, under a clear blue sky.

James Bloomfield + Darwen Terracotta, 2017. Photo by Andy Carson.

Two arms extend downwards from a ceiling decorated with swan figurines, meeting in a handshake. The arms appear to emerge from holes in the ceiling. Art materials and a statue are visible in the background.

Michelle Wren + Graham & Brown, 2017. Photo by Richard Tymon.

Close-up of a large industrial machine part with a geometric, star-like metal pattern and a central green circular component, showing bolts and metallic textures.

Anna Ray + Forbo Flooring, 2019. Photo by Danny Allison.

A contemporary art gallery with wooden floors displays installations, textiles, framed artworks, and a tall blue vertical banner with text. There’s a video screen with headphones on the wall and soft natural lighting from above.

Raisa Kabir with John Spencer + Queen Street Mill, 2022. Photo by Ben J Deakin.

A person holds two large reels of thread in an industrial setting, with their hand and the reels in sharp focus and the background blurred in a textile manufacturing facility.

Blackburn Yarn Dyers, 2019. Photo by Danny Allison.

A large, heritage hall with a turquoise ceiling and exposed brick walls. Three wooden trolleys are in the foreground with artwork on top, and pallets and sculptural artworks are placed around the spacious, partially restored interior.

Hannah Leighton-Boyce + Darwen Terracotta, 2022. Photo by Jules Lister.

A large yellow industrial machine with gears is displayed outdoors near a modern glass cylindrical building under a cloudy sky.

Sarah Hardacre + Surface Print, 2018. Photo by Robin Zahler.

A narrowboat travels along a tree-lined canal at sunset, with a large group of people walking on the towpath beside it. The sky is clear with the sun low on the horizon.

Jacqueline Donachie + Lancashire Saw Company, 2022. Photo by Stuart Quinn.

Two factory workers wearing protective gloves and aprons work together on assembling or inspecting a metal structure in an industrial setting. One worker gestures and explains whilst the other observes attentively.

Sapien + SWS UK, 2023. Photo by Danny Allison.

Heritage Envelopes, 2019. Photo by Danny Allison.

A person with brown hair in a bun, wearing a blue shirt, uses a brush to work on large, curved, ribbed ceramic pieces arranged on the floor. The surface below is textured and light coloured.

Hannah Leighton-Boyce + Darwen Terracotta, 2022. Photo by Danny Allison.

A close-up of a large industrial roller coated with thick, pale pink liquid and some reddish streaks, likely in a manufacturing or food processing setting.

Surface Print, 2019. Photo by Danny Allison.

A woman relaxes on oversized white and pink doughnut-shaped cushions as part of an art installation. Behind her, another person walks past arched doorways where a large screen displays abstract images of machinery.

Sarah Marsh & Stephanie Jefferies + Herbert Parkinson, 2023. Photo by Fish 2 Photography.

A person with curly hair, wearing a black and white spotty shirt, stands and gestures while speaking to an audience in a room with blue abstract wall art. The photo is taken from behind the seated audience.

Nicola Ellis + Ritherdon, 2022. Photo by Robin Zahler.

A colourful mural featuring large geometric flowers decorates the side of a building at the end of a street. Road signs and red-brick buildings surround the mural under a partly cloudy blue sky.

Morag Myerscough + Crown Paints, 2025. Photo by Robin Zahler.

Gallery space with tall, abstract metal sculptures resembling trees. A blurred figure walks, and others observe.

David Murphy + WEC Group, 2018. Photo by GS Visuals.

A wall display of sixteen blue circular plaques, each with handwritten white text commemorating different individuals and their life dates, mounted in four rows under spotlights.

Horace Lindezey + The Making Rooms at Fitzrovia Chapel, 2025. Photo by Rob Harris.

A room with ornate red and white wallpaper, antique furniture, patterned rugs, framed art, and festive decorations. Two people walk by, blurred in motion. The ceiling shows exposed pipes and lights.

Dawinder Bansal + Domestic Makers, 2018. Photo by GS Visuals.

A textile factory interior with rolls of fabric on a wooden table and vintage machinery in the background. Round signs with black-and-white portraits of workers hang above the machines. Natural light streams from a slanted glass roof.

Daksha Patel + Blackburn Yarn Dyers, 2019. Photo by Richard Tymon.

People walk inside a large, historic hall with exposed stone walls, arched windows, and a teal arched ceiling. A modern, white geometric structure stands at the centre of the space.

Liz West + Graham & Brown, 2018. Photo by GS Visuals.

Woman in a patterned shirt holds a colour swatch book, examining vibrant textile samples, with colourful hanging artwork in the background.

Anna Ray + Forbo Flooring, 2019. Photo by Robin Zahler.

In a public square, a wooden archway made of cut out timber sheet by Tim Denton stands. Two adults walk underneath.

Tim Denton + OEP UK, 2022. Photo by Simon Bray.

A robotic arm operates inside an open shipping container, positioned over a circular platform. Large 3D-printed artworks are placed on the floor nearby in a spacious industrial setting.

CNC Robotics, 2022. Photo by Danny Allison.

A metal sculpture circular cut-outs sits on a concrete floor in a sunlit room with large glass windows. A person with blonde hair is visible through the window in the background.

Nicola Ellis + Ritherdon, 2018. Photo by GS Visuals.

A group sits in a large circle of chairs in a spacious room with arched windows and wooden floors, watching a performance as a child dances in the centre.

Martyn Ware + The Manufacturers of Lancashire, 2018. Photo by GS Visuals.

A warning sign on a wire fence shows a raised hand inside a red circle with a diagonal line, indicating no entry or do not touch. The sign also features a person wearing a safety helmet.

The Senator Group, 2019. Photo by Danny Allison.

Two young children in reflective vests play joyfully among scattered paper discs, with an adult smiling in the background. The floor is covered in confetti-like paper, creating a playful, messy scene indoors.

Sarah Marsh & Stephanie Jefferies + Herbert Parkinson, 2023.

Colourful ceramic tile mural illustrating people engaged in pottery-making and sculpture, depicted in blue and gold tones, with patterned borders and small images of pottery and tools surrounding the scenes.

Nehal Aamir + Darwen Terracotta, 2024. Photo by Jules Lister.

Close-up of a textured wall corner painted in shades of pink and white, with a smooth, flat surface below in a reddish-orange colour. The image highlights contrasts between rough and smooth surfaces.

Darwen Terracotta, 2022. Photo by Danny Allison.

Three women stand indoors holding microphones. The woman in the centre is speaking, while the other two listen attentively. They are near large windows with natural light shining in.

Radical Pairings, 2025. Photo by Robin Zahler.

A metal control panel with four circular signal lights: green at the top, then yellow, then orange, and red at the bottom. Each has a button beside it. The background is blurred, showing an industrial setting.

Blackburn Yarn Dyers, 2019. Photo by Danny Allison.

A person crouches to take a photo with their phone of a colourful, geometric artwork displayed on the floor, whilst others stand and observe around them in an indoor setting.

Margo Selby + Standfast & Barracks, 2024. Photo by Robin Zahler.

A pile of small, round balls in various colours including grey, blue, teal, pink, and white, resting on a metallic surface.

Spiroflow, 2019. Photo by Danny Allison.

A man with glasses and a red scarf speaks animatedly to a group of attentive people in an art gallery. Crochet artwork and installation pieces are visible in the foreground.

Liaqat Rasul + Herbert Parkinson, 2025. Photo by Robin Zahler.

A colourful geometric sculpture with a multicoloured circular face stands against a bright mural featuring stylised flowers and bold shapes in yellow, green, purple, red, and blue.

Morag Myerscough + Crown Paints, 2025. Photo by Robin Zahler.

Framed artwork with a pink border depicts three simple, childlike figures; the left figure features textured white fabric, whilst the other two figures are drawn with coloured threads, all set against a beige background.

Horace Lindezey + The Making Rooms at Fitzrovia Chapel, 2025. Photo by Rob Harris.

A large crowd gathers inside a grand hall with tall arched windows, ornate ceiling, and a large cardboard art installation at the centre. Sunlight streams in, illuminating the people and the artwork.

Sam Williams Studio + Cardboard Box Company, 2024. Photo by Robin Zahler.

Three large abstract panels—one white, one metallic grey, and one pink with marbled texture—are propped against a white wall in a minimalist, empty room with concrete floors and a glass door.

Nicola Ellis + Ritherdon, 2018. Photo by GS Visuals.

A framed vintage photo of a couple stands on a table with wooden elephant figurines, a ceramic couple, a small bouquet, and other decorative items; people and bright teal curtains are blurred in the background.

Dawinder Bansal + Domestic Makers, 2018. Photo by Robin Zahler.

Open double doors reveal a bright art gallery with wooden floors, ornate gold decorations, white walls, framed artworks, sculptures on plinths, and spotlights illuminating the exhibits.

Inside view of a metal funnel with grains falling into it, creating a spiralling motion.

Spiroflow, 2019. Photo by Danny Allison.

A person takes a photo of a large, colourful art installation featuring rows of rolled rainbow-striped fabric unfurling across a spacious hall with high ceilings and stone floors.

Margo Selby + Standfast & Barracks, 2024. Photo by Robin Zahler.

Liz Wilson observes a large CNC machine carving circular patterns into a thick piece of foam in an industrial workshop setting.

Liz Wilson + CNC Robotics, 2022. Photo by Danny Allison.

A close-up view of a pile of assorted fabric offcuts and textile remnants in various colours, textures, and patterns, including beige, white, grey, and hints of pink and gold.

Herbert Parkinson, 2023. Photo by Danny Allison.

A woman and an older man sit at a table covered with colourful yarn and knitted fabric samples, discussing their work in a yarn-filled workshop with shelves and a ladder in the background.

Anna Ray + Forbo Flooring, 2019. Photo by Danny Allison.

Bright blue abstract sculptures with irregular geometric cut-outs are displayed in a modern, white-walled gallery space. Blurred art pieces hang in the background, and some orange accents are visible through the cut-outs.

Nicola Ellis + Ritherdon, 2022. Photo by Jules Lister.

A group of people stand in a dimly lit room with draped white sheets, spotlights on the floor, and sunlight streaming through windows, creating dramatic shadows and a mysterious atmosphere.

Sam Belinfante + Panaz, 2023. Photo by Robin Zahler.

Horace Lindezey + The Making Rooms, 2024. Photo by Rachel Bywater.

A close-up of a pink, fluted sculpture resembling an ice lolly, with similar blue and orange sculptures nearby. In the background stands a historic stone building with a large, oxidised copper dome under a clear sky.

James Bloomfield + Darwen Terracotta, 2017. Photo by Richard Tymon.

Jacqueline Donachie speaks passionately while gesturing with open hands. A large pink abstract painting hangs behind them.

A woman crouches and takes a photo of abstract white sculptures arranged on wooden platforms in a spacious, industrial-style gallery.

Hannah Leighton-Boyce + Darwen Terracotta, 2022. Photo by Robin Zahler.

Bundles of blue yarn with colourful threads hanging from the ceiling in an industrial textile factory, surrounded by old wooden beams and machinery.

Anna Ray + Forbo, 2019. Photo by Richard Tymon.

A dark room with multiple TV screens on metal stands, each displaying abstract black-and-white patterns and shapes. The screens are arranged at different heights and angles, creating a modern art installation.

Liz Wilson + Spiroflow, 2019. Photo by Lee Smillie.

Two people in blue overalls work in a bright, sunlit studio filled with sculptures, tools, and supplies. Dust and materials are scattered on tables and the floor.

Hannah Leighton-Boyce + Darwen Terracotta, 2022. Photo by Danny Allison.

A group of people in a workshop observing Raisa Kabir demonstrating textile machinery.

Raisa Kabir with John Spencer + Queen Street Mill, 2022. Photo by Richard Tymon.

Hannah Leighton-Boyce holds a microphone and speaks to a group of people indoors. She stands against a softly blurred background while the audience listens attentively, mostly seen from behind.

Hannah Leighton-Boyce + Darwen Terracotta, 2022. Photo by Robin Zahler.

A modern art gallery with large windows, yellow columns, and abstract sculptures, including a tall stone structure with a red sphere, a round speckled sphere, and curved white pieces arranged on the polished floor.

Radical Pairings, 2025. Photo by Robin Zahler.

People observe and discuss a tall, colourful, rainbow art installation made of small objects inside a large stone-arched building, possibly a church or gallery. Several people are seated or standing around the artwork.

Margo Selby + Standfast & Barracks, 2024. Photo by Robin Zahler.

A statue stands on a stone plinth in a town square, surrounded by benches, greenery, and historic buildings under a blue sky with clouds. Signs are posted on poles beside the square.

Four children sit on the floor in a dimly lit room, watching a large screen displaying a close-up image with metal bars and a circular object with orange and green tones.

Jacqueline Donachie + Lancashire Saw Company, 2022. Photo by Jules Lister.

In a public square, a wooden archway by Tim Denton stands. It is made of timber sheets with various ornate and intricate cut outs and shapes.

Tim Denton + OEP UK, 2022. Photo by Simon Bray.

Radical Pairings, 2025. Photo by Robin Zahler.

Ibukun Baldwin + Cookson & Clegg, 2023. Photo Jules Lister.

Jamie Holman + Roach Bridge Tissues, 2017. Photo by Karen Mathison.

Margo Selby + Standfast & Barracks, 2025. Photo by Jack Bolton.

A long, elegant dining table is set with fine china and flowers inside a grand, ornately decorated hall with arched, gold-accented ceilings, marble walls, and framed artworks on easels along the sides.

Horace Lindezey + The Making Rooms at Fitzrovia Chapel, 2025. Photo by Rob Harris.

A bee hovers near a purple flower in a vibrant garden, with other flowers and a colourful, striped mural background in shades of green, yellow, and purple.

Morag Myerscough + Crown Paints, 2025. Photo by Robin Zahler.

Four women stand at the end of a long, formal dining table with a red and white table runner, looking closely and discussing something on the table, which is set with plates, glasses, and a floral centrepiece.

Horace Lindezey + The Making Rooms, 2024. Photo by Robin Zahler.

A small sculpture made of blue material sits on a textured brown platform, which is mounted on a wooden stand against a background of softly coloured walls in shades of peach and grey.

Darwen Terracotta, 2022. Photo by Danny Allison.

People observe a large, colourful domino art installation cascading in a wave pattern inside a grand hall with high arched windows, stained glass, and stone columns. Some visitors are blurred, suggesting movement.

Margo Selby + Standfast & Barracks, 2024. Photo by Jack Bolton.

A sculptural artwork combining rough, textured fragments with smooth, curved ceramic surfaces, displayed on a wooden pallet in an indoor gallery setting. Other abstract pieces are visible in the background.

Matter at hand + Darwen Terracotta, 2025. Photo by Robin Zahler.

People in a modern art gallery stand and gesture toward a blue abstract installation, while seated viewers observe, with colourful paintings on the walls.

Nicola Ellis + Ritherdon, 2022. Photo by Robin Zahler.

Lewis Jones in a maroon jumper and brown trousers stands among large sculpted blocks in an indoor space, with a screen showing a mechanical image behind him.

Matter at hand + Darwen Terracotta, 2025. Photo by Robin Zahler.

A long dining table with pink and green fabric draped over white chairs is set for a meal in an industrial-style gallery space, with plates displayed on white walls in the background.

Horace Lindezey + The Making Rooms, 2024. Photo by Rachel Bywater.

A large, ornate church interior with arched ceilings and stained glass windows, featuring a contemporary art installation of wooden crates and pallets arranged symmetrically down the nave.

Matter at hand + Darwen Terracotta, 2025. Photo by Robin Zahler.

A person holds a rectangular white mould filled with wet, textured concrete or clay, likely for casting, on a worn wooden work surface.

Matter at hand + Darwen Terracotta, 2025. Photo by Danny Allison.

A smiling person with white hair, wearing large glasses, a neon yellow shirt, and colourful chevron trousers, stands in front of a vibrant wall with floral and geometric patterns and surrounded by planters with flowers.

Morag Myerscough + Crown Paints, 2025. Photo by Robin Zahler.

An older man with a white beard and cap, wearing a checked shirt, operates a sewing machine in a brightly lit textile factory surrounded by fabrics.

Cookson & Clegg, 2023. Photo by Danny Allison.

Lewis Jones in a red jumper reaches for a textured, fibrous building material sample on a wooden shelf, surrounded by other rectangular samples of various smooth materials.

Matter at hand + Darwen Terracotta, 2025. Photo by Danny Allison.

Sarah Marsh & Stephanie Jefferies + Herbert Parkinson, 2023. Photo by Robin Zahler.

Close-up of a person using a grinder on metal, wearing blue gloves, with sparks flying.

Lancashire Saw Company, 2022. Photo by Danny Allison.

A man wearing a blue shirt pours liquid clay from a large yellow container into a mould at a workshop filled with rows of upright, rectangular moulds. Sunlight streams in through windows on the right.

Darwen Terracotta, 2022. Photo by Danny Allison.

A modern art installation in a gallery features several large, metallic saw blades bent into wave shapes on the floor, placed in front of a video screen and two speakers against a beige wall.

Radical Pairings, 2025. Photo by Robin Zahler.

A group of people gathers inside a vaulted, arched brick structure with gothic-style architecture, listening to speakers at the front of the room. Clothing hangs on a rail to the left.

Sarah Marsh & Stephanie Jefferies + Herbert Parkinson, 2023. Photo by Robin Zahler.

Radical Pairings, 2025. Photo by Robin Zahler.

A man in a blue lab coat works with metal machinery in an industrial workshop filled with large windows, tools, and metal sheets on the floor.

Lancashire Saw Company, 2022. Photo by Danny Allison.

Matter at hand + Darwen Terracotta, 2025. Photo by Robin Zahler.

Two people stand and talk in an art gallery, with colourful tiled artworks displayed on the white walls behind them. One person gestures while holding papers, and the other listens with arms slightly crossed.

Nehal Aamir + Darwen Terracotta, 2024. Photo by Robin Zahler.

Grennan & Sperandio + Panaz, 2017. Photo by Richard Tymon.

A group of people stands together indoors in a large, high-ceilinged room with arched windows, draped fabric, and coloured lighting, suggesting an art exhibition or event.

Sam Belinfante + Panaz, 2023. Photo by Derren Lee Poole.

A vibrant mural with large colourful flowers, geometric shapes, and bold patterns covers the entire side of a building at a street corner under a partly cloudy sky. An art installation stands in front.

Morag Myerscough + Crown Paints, 2025. Photo by Robin Zahler.

A long banquet table is set with beige plates, glasses, and cutlery on white serviettes. The table has a coral runner decorated with origami flowers, and some chairs have green or red fabric draped on their backs.

Hannah Leighton-Boyce + Darwen Terracotta, 2022. Photo by Danny Allison.

A circular embroidery hoop displays a black-and-white image of a woman wearing a headscarf and patterned clothing, with colourful thread accentuating her headscarf. She appears to be focused on an activity with her hands.

Daksha Patel + Blackburn Yarn Dyers, 2019. Photo by Richard Tymon.

A close-up of a colourful woven textile on a wooden loom, featuring intricate patterns in blue, orange, yellow, and green threads. The loom and parquet flooring are partially visible.

Raisa Kabir with John Spencer + Queen Street Mill, 2022. Photo by Ben J Deakin.

Sam Williams Studio + Cardboard Box Company, 2024. Photo by Jules Lister.

A close-up of colourful, industrial-themed artwork on a gallery wall, with visitors viewing other exhibits in the blurred background of a well-lit art museum.

Nehal Aamir + Darwen Terracotta, 2024. Photo by Robin Zahler.

Horace Lindezey + The Making Rooms, 2024. Photo by Robin Zahler.

Several white garments hang on metal hangers attached to a conveyor system in a brightly lit industrial laundry or factory setting, with blue rails and wheels above them.

Herbert Parkinson, 2023. Photo by Danny Allison.

A person presses a round stamp onto a colourful chart with various circular stickers.

A black-and-white photo shows a woman with a pram outside a shop window displaying the sign Fresh Home-made Chocolates. The photo is placed among vintage letters, a notebook, and embroidered cloths.

Illuminos + Cardboard Box Company, 2023. Photo by Jules Lister.

A carved stone block with geometric patterns and round shapes is displayed on a wooden pallet in an indoor setting.

Matter at hand + Darwen Terracotta, 2025. Photo by Robin Zahler.

Raisa Kabir with John Spencer and Queen Street Mill

Commissioned for Art in Manufacturing in 2019 in collaboration with British Textile Biennial, Raisa Kabir began working between John Spencer, a sixth-generation family weaving business and the last remaining traditional cotton weaver in Burnley, and Queen Street Mill, now a Grade 1 listed Museum with extensive archives and the last surviving 19th century steam powered weaving mill in the world.

Film by Wash
Film supported with funding from Creative Lancashire

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Hannah Leighton-Boyce + Darwen Terracotta

Hannah Leighton-Boyce began her residency with Darwen Terracotta in 2019, working through 2020, 2021 and the beginning of 2022. The necessary extended nature of her placement allowed the artist to explore a range of ideas and reflect on working in a factory in that moment; considering what it means to work slowly and with care in this context, and to reflect on being ‘unproductive’ in a highly productive setting.

Film by Wash
Film supported with funding from Creative Lancashire

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Liz Wilson + CNC Robotics

First in residence with manufacturer Spiroflow in 2019 where she created The Optical Mechanical, Wilson went on to undertake her second Art in Manufacturing residency with industry-leading technologists, CNC Robotics. Regular trips to the factory from the artist’s base in Kent allowed her to work within the factory’s making schedule, utilising the robotics to carve, extrude and mould sculptures. Forms of fossils, horses legs and the rudder of a canal boat became artefacts to experience alongside video work and new audio combining factory sounds and the artist’s voice.

Film by Wash
Film supported with funding from Creative Lancashire

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